The best way I can think to describe the job Serdar the actor does is to liken him to an alien shape shifter who is struggling both to control his new human face and also comprehend how to express human emotion. While buried, Serdar is supposed to be expressing, I assume, the idea that “it is hot,” and later, “it is rainy.” But the thing he does with his face is just… I have no idea. It looks like he’s in the middle of suffering a stroke, and while his face is contorted by the experience, he’s also bored by it. All the while, Ziya keeps coming out to scream at poor Serdar, convinced by standard issue criminal paranoia that Serdar is an enemy. Finally, in order to prove allegiance, Serdar is ordered to deliver yet another rival criminal to Ziya’s compound. Ziya, of course, plans to kill Serdar once the mission is under way, which seems like a complicated way to go about killing a huge dude with a demonstrable skill for survival and handling a giant knife, especially when you previously had him buried to his neck in the mud. In a more complex film, one could attribute this to Ziya’s mounting psychosis, the feeling that everyone is out to get him somehow clouding his sound judgment. But I think, mostly, Inanc just needed a way to get Serdar out of the mud so we could move things on toward the finale, in which Serdar will tear around in a jeep for a while until it’s time to decimate Ziya’s forces by employing a knife, a Turkish commando force, and an RPG that goes “thoop” when fired.

Click to share:

  • Twitter
  • Facebook
  • email
  • StumbleUpon
  • Delicious
  • Digg
  • Reddit