David continues to stretch the definition of “based on the works of HP Lovecraft” to the snapping point…

IN THE MOUTH OF MADNESS

Neill’s role in In the Mouth of Madness harks back to his first big break, which was as Damien Thorn in The Final Conflict. The film was the weakest of the three original Omen films, but Neill showed he could be charming, charismatic and devilish too. Here, as Trent, he is snide, sarcastic and cynical — not the nice ‘everyman’ we are used to. His job as an insurance investigator has made him this way after years of uncovering fraudsters and phonies. His view of humanity is somewhat jaded. Yet, somehow, he sees him self as being above this corruption. He also sees himself as a man grounded in reality — at least when the film starts. But then he slowly, after delving into Sutter Cane’s book, begins to have hallucinations. As the story arc continues these hallucinations become a bigger part of Trent’s life until they are in fact reality, and the vestiges of the real world are fantasy.

At the end, the film spins into a deliberate self-referential vortex, where the film In the Mouth of Madness tells the story of a book called In the Mouth of Madness, which is then made into a film called In the Mouth of Madness.



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