Few if any have pursued movie stardom as tenaciously but to so little effect as pop singer Madonna. Here she took her (apparently) final stab at it, remaking a grossly misogynistic Italian art classic–it’s OK, it was made by a woman!–while once again all but destroying the film career of whoever her husband was at the time. Guy Ritchie, meet Sean Penn.

Age, a chain of cinematic clunkers that would give Marley’s Ghost pause and this one last giant bomb finally forced Ms. Ciccone to accept that her dreams of moviedom were being Swept Away.

Ken Begg is the proprietor of Jabootu: The Bad Movie Dimension.


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