We’re slipping in one more for NO, THE OTHER ONE just under the wire, but before we get to that one, we have to talk about this one.


By 1949, the Invisible Man had all but vanished. But 1949 is the year in which Japanese director  Nobuo Adachi made Invisible Man Appears (Tômei ningen arawaru) for Daiei Studios. The heyday of the iconic Universal monsters was over, and the studio was pitting it’s classic creatures against Abbot and Costello (they would meet the Invisible Man in 1951). The last legitimate film in the Invisible Man series had been 1944’s The Invisible Man’s Revenge. This Japanese entry into the sweepstakes might not have been an official part of the series, but it certainly holds its own against Universal’s films, and in fact is a sight better than most of the official Invisible Man sequels.

Keith Allison is the chief bacchanologist at MEZZANOTTE.

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