Before Salon Kitty redirected his career toward sex films and before Caligula became the most infamous movie in the world, Tinto Brass was just another idealistic young director looking to capture the zeitgeist of the 1960s. His 1967 film Deadly Sweet was inspired and influenced by Antonioni’s Blow-Up but also markedly different. For one, it lacks that film’s sense of disillusionment. It also lacks that film’s self-control. Deadly Sweet is experimental but still commercial. Bleak but still bubbly and colorful. Tinto Brass seems to think that Swinging London is still, you know, swinging.
Keith Allison is the chief bacchanologist at MEZZANOTTE.