It’s a one-two punch of eye-searing giallo fashion and decor, so prepare yourself for shag carpet, silk cravats, long titles, and MURDER.

THE NIGHT EVELYN CAME OUT OF THE GRAVE

Giallo trade in awful characters doing awful things to one another, and rarely do they serve up much in the way of sympathetic protagonists. But usually, no matter how big a creep, the nominal hero of the story has on his or her side, at the least, the fact that they aren’t slitting anyone’s throat, which makes them a little more acceptable than whatever black-gloved and raincoated killer us running amok. Not so in The Night Evelyn Came Out of the Grave, where the hero of the story murders about the same number of people as the murderer. In fact, the film’s only decent and sympathetic character is the hooker Alan assaults in the beginning of the film, so he might even be marginally worse than the mysterious murderous ghost.

THE FORBIDDEN PHOTOS OF A LADY ABOVE SUSPICION

Forbidden Photos concerns itself with only one murder, rather than a series of them, which might, for some, put it at a distance from the giallo genre as a whole. If you are someone who comes to giallo cinema primarily for its stylized violence that will likely be the case. However, if you are someone who, like me, is content just to bask in the film’s pervading atmosphere of slinky European licentiousness, it should be considered a pleasure not forbidden but prescribed.


Keith Allison is the chief bacchanologist at MEZZANOTTE.


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