Posts Tagged 1970s

All the Colors of the Dark

Continuing our tour through the weird world of giallo…

ALL THE COLORS OF THE DARK

Martino’s 1972 giallo All the Colors of the Dark works within the confines of the genre (which was still relatively new in 1972 but, given the fecundity of the Italian film market, already contained quite a few films, established tropes, and expectations), but it takes the genre further afield than had previously been explored, resulting in a dizzying psychedelic combination of straight-forward stalker/murder mystery (the giallo’s stock in trade), hallucinogenic psycho-sexual experiment, and occult horror.


Keith Allison is the chief bacchanologist at MEZZANOTTE.

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Happy Valentine’s Day: Strip Nude for Your Killer

Nothing says romance quite like the sleaziest giallo of the 1970s:

STRIP NUDE FOR YOUR KILLER

Signature murders include the stabbing of a woman who, upon realizing a prowler may be in the house and all her co-workers are getting murdered, investigates while completely nude except for a pair of clunky platform clogs; and then there’s the one where, after charmingly attempting to rape a co-worker before going impotent, we get ample shots of an enormously fat man in his sagging tighty whities and black dress socks, clutching a deflated blow-up doll in one hand and a kitchen knife in the other while he cries uncontrollably. Tasteful!


Keith Allison is the chief bacchanologist at MEZZANOTTE.

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Giallo Prime Time: The Bird with the Crystal Plumage

We covered some of the early proto-giallo. Now it’s time to get into the full swing of things.

THE BIRD WITH THE CRYSTAL PLUMAGE

Dario Argento’s The Bird with the Crystal Plumage, is the Goldfinger of giallo. Goldfinger wasn’t the first James Bond movie, but it was the one that synthesized all the elements into what was recognizable as the iconic “James Bond film.” It became and, in fact, remains, the template for subsequent Bond adventures and for what people stereotypically think of when they think of a James Bond film. In much the same way, The Bird with the Crystal Plumage is the film in which all of the raw material pioneered during the 1960s was forged into the finished formula that would define giallo throughout the 1970s and beyond.


Keith Allison is the chief bacchanologist at MEZZANOTTE.

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