Posts Tagged Ghosts

Ghost of Ghosts Past

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WE-ARE-STILL-HERE_DagmarWE ARE STILL HERE

A film that could have ended up nothing more than a Fulci pastiche rises above the label of “love letter to” and “throwback to” and succeeds on its own merits, delivering one of the best horror films we’ve had in a long time. Seances, creepy ghosts, possession, menacing locals, Barbara Crampton, gore, a house with a sinister past make for classic, old school horror scares.

 


Keith Allison is the chief bacchanologist at MEZZANOTTE.

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Tamiya Iemon is the Worst

A HISTORY OF YOTSUYA KAIDAN

yot1Ghost stories wend their way from Noh, Kabuki and the Bunraku puppet theater all the way through “J Horror” and the vengeful ghost ladies with invasive hair of today. There are many tales of love, bitterness and vengeful ghosts, but like a certain Scottish play, Tokaido Yotsuya Kaidan is unique in having a curse associated with it. Oiwa is one of the pre-eminent ghost ladies, and her story was so powerful that her character became, in some sense, real. In his play, Tsuruya integrated a 17th Century account of a woman named Oiwa who died and came back as a ghost to punish her unfaithful husband. And in at least one production, the audience was told that between acts Oiwa was watching them and could even be seated beside or behind them to spooky effect.


Keith Allison is the chief bacchanologist at MEZZANOTTE.

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Cat Demon Blues

We’re celebrating Halloween early on TC.

KURONEKO

kuroKuroneko is a film that feels older than it is. Shot in 1968, five years after Shindo’s more famous horror movie Onibaba, Kuroneko hearkens back to the more humanistic period pieces and sword-fighting films of the 1950s. Kuroneko is also one of my favorite films. And not just because it has cat demon ladies in it. Though, really, cat demon ladies should be an enormous draw for anyone. Cat demon ladies and ghost cats have been around long before Ju-On / The Grudge or even before Utagawa Kuniyoshi illustrated a sweet party of a lady, two cats dancing with handkerchiefs on their heads and a giant cat monster interrupted by some guy in 1835.

 


Keith Allison is the chief bacchanologist at MEZZANOTTE.

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