Revised and revived on Mezzanotte for the two-month long giallo spotlight:
When it came time for Mario Bava to turn in his version of a Hitchcock movie, he picked up on that underlying current of malicious giddiness and ratcheted it up. In Blood and Black Lace, Bava is a peasant let loose to demolish a nobleman’s home during the Russian Revolution. There is unbridled celebration in the carnage, but there’s also unsettling tragedy. Bava employs a subtle absurdity, taking delight not just in demolishing the vacant aristocrats in his cast of characters but also in wreaking havoc with the language of cinema and expectations of what was, then and now, acceptable. Blood and Black Lace gave giallo the element that made it so much different from the early whodunits from which it evolved: the snarl.
Keith Allison is the chief bacchanologist at MEZZANOTTE.