The machine keeps chugging.
|WHO SAW HER DIE?
When one does encounter a giallo that not only tugs at the emotional heart strings, but actually succeeds in connecting with the viewer on a more affecting level, the effect can seem amplified. Aldo Lado’s moody 1972 thriller Who Saw Her Die? is the rare giallo that attempts this, and the rare that succeeds, and it is thanks primarily to a committed performance from former James Bond George Lazenby in a role that puts him through an emotional ringer.
| IL FAIT PEUR, PT. 4: LIGHTNESS AND DARK
If Pearl White was the blond haired, vivacious face of a new, can-do America, Theda Bara was its shadow. Dark, mysterious, dangerous. If Pearl could pluck you out of the jaws of death, Theda was the woman who would sacrifice you to it. Her dark, kohl-smeared eyes enticed you, and she laughed as you willingly destroyed yourself for her. America loved her as much as they feared her. Pearl White bucked traditional notions of feminine helplessness and subservience, but Theda actively attacked it, preyed on male weakness and exploited it, never with the altruistic sense of adventure and do-goodism as Pearl. For a young film industry that needed a foil, and a way to capitalize on the popular interest in Spiritualism, the Orient, and in particular Egypt, Theda Bara was perfect. There was only one problem: it was all bullshit.
Keith Allison is the chief bacchanologist at MEZZANOTTE.