You should only see Plague if you want to see how a Canadian response to a pandemic could be worse than in real life.Keith Bailey is the proprietor of The Unknown Movies Page.
You should only see Plague if you want to see how a Canadian response to a pandemic could be worse than in real life.
The little seen Kings And Desperate Men is one of the worst examples of Canadian tax shelter product.
The Filipino actioner Wheels Of Fire manages to be an above average example of 1980s post-holocaust cinema as well as an above average effort for prolific director Cirio H. Santiago.Not one of these reviews was like pulling teeth to write:
Cat-Women of the Moon (1953), which frankly looks depressingly timely again 67 years later…
Daughter of the Mind (1969), in which Ray Milland ain’t afraid of no ghosts, but the people he works for are very much afraid of Communists…
Forbidden World (1982), which is exactly the Alien ripoff you’d expect from New World Pictures…
Gretel & Hansel (2020), in which the title isn’t the only thing about the old fairy tale to get turned in a new direction…
Halloween 5: The Revenge of Michael Myers (1989), in which Moustapha Akkad pushes his luck just a little too far…
The Invincible Barbarian (1982), which might well have been the very first Italian Conan cash-in out of the gate…
and…
2020 Texas Gladiators (1983), in which we ponder the prospect of a movie to which Joe D’Amato and George Eastman were unwilling to sign their usual pseudonyms.
El Santo rules the wasteland-- and also 1000 Misspent Hours and Counting.
Despite its best efforts to be sleazy, Breeders is a cold and passionless exercise.
The delightful comedy Welcome To The Sticks proves that the French do have a sense of humor after all.
While Outlaw Blues is a fairly agreeable vehicle for Peter Fonda, it could have been a lot more than it actually is.
It doesn’t take long into watching Goddess Of Love to figure out why Vanna White didn’t have much of an acting career.
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