It’s been a long time since I’ve practically begged you readers to check out movies made by PM Entertainment. It’s that time again. Instead of screaming in your face (which hasn’t worked), I’ll start off with a history lesson. PM Entertainment went through so many transformations during its lifetime that it’s hard to believe many of its films were made by the same company when you compare them to each other. Take a look at the company’s history, starting back in the latter part of the ’80s when Richard Pepin and Joseph Merhi first got together and founded the company that was originally called City Lights. In those first few years they made a name for themselves with ultra cheap movies like Mayhem, The Newlydeads, and Dance Or Die. As bad and cheap as those movies were, they must have made a profit, because in the first part of the ’90s they were not only still around, they were making somewhat higher-budgeted movies like Chance, The Art Of Dying, and Street Crimes, which, while not all good, were a definite improvement on what they made previously. (They had changed their name to PM Entertainment at this point, possibly in a ploy to distance themselves from those awful movies they made in their first years.) A few years from that point, the budgets increased slightly again, and they made movies like Cybertracker, Ice, and Direct Hit. Then around 1996 PM hit its peak, raising significantly large budgets for their movies which included Rage, The Sweeper, and Executive Target. The PM movie I’m reviewing here, Firepower, comes from that third stage. Read the review, be informed, and watch PM movies – at least the good ones.