No, it's not my roundtable entry.

That’ll have to wait ’til next time.  Until then, you may busy yourselves reading about:

Conan the Destroyer (1984), in which the franchise that started it all decides that things like quality and ambition just aren’t worth the trouble…

The Good Son (1993), in which that kid from Home Alone takes his game up a couple of notches…

The Phantom Planet (1961), in which a really boring American astronaut finds himself boringly stranded on a boring planet whose boring people are at boring war with crummy rubber monsters who thankfully are not boring…

and…

The Stepford Wives (1975), in which the masterminds of a conspiracy to create the perfect woman suffer from a truly astonishing lack of imagination.
 
 
 

Oh, it is a lonely life: bathing, dressing, undressing, making exciting underwear, turning new stakes on the lathe…

Vincent Price isn’t exactly the everyman that the protagonist of the novel I Am Legend was, but as the star of The Last Man on Earth (1964) he still gives a wonderfully weary as the last uninfected man in a world of vampires.  Staking is his business, and business is a bit too good to be good.

Happy Birthday, Barbara Eden!

It may be hard to believe, but August 23 marks Barbara Eden’s 76th birthday. And what better way to celebrate the occasion than with a brief look at of one of her most interesting — and least typical — screen appearances?A Howling in the Woods

A Howling in the Woods (1971)

If you only know Eden as the vivacious star of “I Dream of Jeannie” or Harper Valley PTA, this TV movie may surprise you. It’s a murder mystery with some astonishingly lurid plot twists.

Also, it’s tempting to see the movie as a gift to Eden from NBC, for accidentally killing her TV show the year before…

A mystery that's no mystery

Murder On Flight 502
Murder On Flight 502 was one of the first made-for-TV movies I ever saw. I remember seeing it as a small child one weekend afternoon, and I remember being sure I’d be entertained because of the movie’s colorful all-star case (including Robert Stack, Farrah Fawcett, Sonny Bono, and Fernando Lamas.) Also, the movie promised it would be a murder mystery, so I remember gleefully warming up my deducing skills. However, I was sorely let down by the movie’s mystery – if you can even call it a mystery. That’s because I correctly guessed who among the airplane’s passengers was the guilty party when that person was first seen in the movie’s first few minutes. It went downhill from there.

Chiller theater

A Cold Night's Death
A Cold Night’s Death (1973)

This is an unusual made-for-TV movie: it’s more Strindberg than Spielberg. Robert Culp and Eli Wallach star in a virtual two-man show, as scientists stuck in a snowbound research station performing stress experiments on monkeys and chimpanzees. Soon it becomes apparent that someone — or some thing — is experimenting with them. Or is it all in their heads? And even if it is, will it make any difference to the outcome?

(Brad)buried alive

The Screaming Woman
The Screaming Woman (1972)

What do you call a thriller that reveals not only the killer’s identity, but also its major plot points, all within the first ten minutes? I call it brilliant. Based on a story by Ray Bradbury (who turns 90 this week), The Screaming Woman also shows a good TV movie can make substantial changes to its source material without ruining it.

Because "Phoneutria nigriventer: The Deadly Cargo" doesn't sing

TARANTULAS: THE DEADLY CARGO

Remember how the mayor in “Jaws” was worried about the shark scaring off the tourists? This is the same movie. Just substitute “tarantulas” for “shark” and “oranges” for “tourists,” and…well I guess that doesn’t make a whole lot of sense, does it?

Review Snippet:
With the warehouse infested with tarantulas, the only hope of rescuing the crop without destroying the oranges is to use the sound of the deadly tarantula wasp to put the spiders to sleep. Unfortunately, nobody in Finleyville has a pet tarantula wasp. (Who does?) So they use a hive of bees filtered through a sound mixer and amplifier to mimic the sound of a tarantula wasp. While the spiders are paralyzed with fear, Bert and his cohorts can pick them up and put them in buckets. Genius! The problem with this plan is that they don’t have any equipment to record the buzzing bees. Somebody has to shake the bees in front of a microphone the whole time that the spider removal operation is going on.

Lesson Learned:
Spider fangs cannot penetrate flannel.

 
 

I has a sword. Now wut I do wif it?

The Excalibur Kid (1998)

These Kushner-Locke kidvids shot in Romania need to be assessed the same way that home appraisers assign value to a home; in addition to an objective assessment of the specific movie’s merits, you have to compare it to its comparable surroundings and see where it fits in in the community. In this case, The Excalibur Kid’s nearest neighbors are Teen Knight (1998) and Johnny Mysto: Boy Wizard (1997), produced by the same people under the same conditions, all three of them dealing with modern teens transported back in time to medieval periods. Johnny Mysto and The Excalibur Kid even have an Arthurian flavor in common. Compared with these other likely suspects in a lineup, The Excalibur Kid comes off pretty well. But I would have to say that see The Excalibur Kid after Teen Knight and Johnny Mysto is the only way to make it look good.

Lesbian Assassins & Zombie Loggers

Hmm, someone should put those things into one movie.

NAKED KILLER

It’s easy to dismiss a film like Naked Killer. But, to me, it’s only the subpar exploitation films that give sex and violence a bad name, while the ones like Naked Killer put sex and violence back on the pedestal where they belong. Rather than the nihilistic sleaze-fest that one might typically expect from the Cat III genre, Naked Killer is a film that rages with vitality, and offers about as good an example as I can think of of cinema’s unique ability to show us a vision of our waking world merged with that of dreams.

SEVERED: FOREST OF THE DEAD
Severed is a great title for this movie. Not because of anything that it has to do with the movie — honestly, I can think of better titles. No, it’s perfect because it describes the way that it was just tearing me apart inside to watch this film. My frustration stems from the fact that this movie could have been truly excellent, and instead crapped it up with derivative idiocies and poor choices, making it a movie that I can at best offer a neutral recommendation on. “Yeah, sure, I guess you could watch that.”

Good film with a great monster

NIGHT OF THE DEMON

The spirited exchanges between the hero and the villain are a treat, and the atmosphere is great, but what makes this movie special is the demon. It is a truly memorable addition to cinema’s museum of monsters.

Review Snippet:
The key to John’s dilemma is understanding the rules governing Karswell’s demon. Back in 1957 you could not walk into a bookstore and buy a copy of “Summoning Demons for Dummies.” Heck, you still can’t. I even searched Amazon.com for the title. In that same nether vein, John also couldn’t Google “demon parchment Karswell” to look for answers. The Internet had not been invented. 1957 is so incredibly far in the past that Pong hadn’t been invented yet (and we all know how useful Pong is).

Lesson Learned:
80% of England is covered by wallpaper; 95% of which is ugly, 50% hideously so.